25.12.02
Though this album contains a few soft-rock throwaways, such as "In My Life" and "Desperado," Mr. Cash’s more surprising borrowings—Nine Inch Nails’ "Hurt" and Depeche Mode’s "Personal Jesus," in particular—reaffirm his right to pirate anything he wants. Ultimately, though, it’s the title song that clinches this album’s greatness. The product of a seven-year-old, "Kubla Khan"–like dream about the Book of Revelation, it’s a thumping, staccato masterpiece destined to survive among the handful of Mr. Cash’s lasting contributions to American music.
still here 08:19
22.12.02
{now we have class. pay attention. Boilly is the painter here. first thing you notice is....depends on your orientation somewhat, but. the central point in the image is a shading in and out above the old couple's heads. contrast that with the light from above. and the thin band of light at the door. and who is that guy? not significant guy right? only check out the girl just below him. she's the same figure as what most people would say is THE central figure in the image. ok check out where her head is. right in front of the guy's elbow. the guy is Boilly. elbows are everywhere in this painting. an elbow is the dominant foreground image. it balances her right breast, the most lovingly rendered breast I've ever seen. the guy's elbow her elbow and Junior's there at her left. now drop down and over what do you see? it's a timeline of growth it starts to seem almost bludgeoningly obvious. infant/breast toddler/breast then right at the moment of puberty and full bloomed young womanhood. ok go back to the nursing mom at left. see her head? what's it hiding? and above him to his left? another one. below that. ok on the other side of the billiard player past the dogs there's a guy who is almost all shadow, and being embraced by a girl who's mostly light, and now her head is hidden by... right. my first attraction to this painting was the girl/woman bending over the table, but then where was the center? that shading, amorphous place with no boundaries exactly not exactly brown or black, the center of the image is ah.... there and there and somewhere in there....and below that the old woman's face, almost in the center, and the pool cue pointing, could it be? to the place above the couple where their souls meet? something valentinish like that, something sentimental like that. but not cynical that's the key issue here. cynicism can't touch this stuff. the center is there, imprecisely, because....well it moves around really. he makes it move. there's some pretty hardcore courtship happening far right, and bright as can be at the edge of the shadows, her arm, her...yes another one. and at the far right edge of the billiard table see the boy, his...yes...and blocking his head her.....yes. and I don't mean to make it freakish, it isn't at all. he's playing. it's elegant play, and so much love for the movement of life, for women, for sex, and for the breast itself not separate from but in and of the warm heart of womanhood. it's there. you can ignore it or turn away from it, but it's not a choice really, it's there because Boilly put it there. the shadowy figure near center is echoed again to the far right, these guys are hats, father hats, fatherly hats, men. men and elbows. Boilly. A Game of Billiards. corny maybe some, but that love is bigger than sentiment. that love is real, nothing living is bigger.}
still here 14:56
Perry King designed the valentine typewriter with Ettore Sotsass.
his studio King-Miranda designed this light:
still here 10:01
This man said this:
describe your style, like a good friend of yours would describe it.
I truly believe that our duty as an architect or a designer is to design
things which attract luck, rooms which protect people...
I don’t design things in any style, even less so in any fashion style,
I design things for life states.
designed this house:
designed this:
and this room divider.
and said this:
you have spent a lot of time in asia and you know the spiritual values of those
cultures very well. do you think that they tend to fuse with our wasteful
western culture, or do you think there is another possibility?
the thing about asia which interested me wasn’t so much the spirituality
as the sensorial approach, the rituals...there is nothing spiritual in spirituality.
the word spirituality was invented in the 19th century. I hate that word...
it is finding a way to forget the existential disaster, it is a series of rituals,
which correspond to the cosmos and they are rituals which
depend on your social class, the weather,
the relationship to animals-- this interests me. I think that any attempt
to integrate into the modern world can only be "pay attention to life",
existence, but not afterlife.
on the news they said that italians are afraid of unemployment,
criminality and pollution. what are you afraid of regarding
the future?
I think that the future doesn’t exist. what we think of today as the future isn’t the future.
people are always afraid of the future, and the future has always been a disaster.
like the present is a disaster. but rhetoric about the future bothers me,
because almost everything we do today we say we’re doing for the future.
the future is here now, let’s try to get organized now.
I don’t care about the future at all.
still here 09:12
Magnetic bracelet
Terrence Kelleman, 2002
Held together by its own magnetic force, this bracelet is designed to form angular shapes around the wrist. The bracelet consists of 50 individual magnets, which can be adjusted to fit men or women simply by removing excess pieces. The incredible strength serves not only as a simple linking mechanism, but also provides hours of entertainment or relaxation for nervous fingers. Warning: These magnets are very strong; those using a pacemaker should avoid them. Keep 5 inches from computer disks, credit cards and any ferric recording devices.
still here 08:34
21.12.02
In this ideogram used on clothes in Ghana we see one of the most common ideograms representing the Eastern star, the planet Venus,
, the Morning star, and indirectly a new start to the day, combined with the sign
, representing a rotation or an independent movement. It means Sesa woruban: I change or transform my life, or life transformation.
still here 19:58
The above entry sign structure, but vertically placed and filled,
, sometimes appears as a military sign for sentinel, and as
it can stand for a private soldier.
When drawn with a very small, filled circle (i.e. a point), , it can in certain biological contexts stand for an aborted fetus of unknown sex.
still here 19:53
20.12.02
that square is erect by golly, and that angle's right too. see the tip of it just sticking up above his fingers?
still here 18:57
The Color of God
Orange is a color between red and yellow. The orange fruitis unique in its color and is the best example of this color.
The setting sun can appear orange as it approaches the horizon
and may also turn bright red before dropping below it. These
same color changes in the sun appear during sunrise as well. The
shift in colors of the sun is largely due to atmospheric
conditions, airborne microscopic dust particles, and light
refraction from moisture in the air.
{spectrum explication. colors described in a systematic and poetic fashion by a formerly sighted now blind writer. including hues beyond the tertiary like lavender saffron and pigeon gray.}
still here 18:57
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