23.6.01
Lynn Hershman 's SCARY investigation into identity
hangs next to the godlike Cindy Sherman in the
HALL OF MIRRORS
hangs next to the godlike Cindy Sherman in the
HALL OF MIRRORS
22.6.01
Seattle Art Museum(pompous and incompetent web site purporting to have thousands of images,goofy and malfunctioning. And the agreement to enter states in bogus fascistic heaviness reproduction prohibited. By whom one wonders.
the government? Get off my planet,faggot.
the government? Get off my planet,faggot.
21.6.01
Univ of Michigan SILS art browser well done and quick
exactly the opposite of Hollis Taggert or worse
the execrable Sheldon Gallery
exactly the opposite of Hollis Taggert or worse
the execrable Sheldon Gallery
sheldon pussy art gallery with watermarks so precious can make his money off the web
found searching for Macdonald-Wright and Synchronism
found searching for Macdonald-Wright and Synchronism
20.6.01
19.6.01
18.6.01
Look for the kind of nature that suits your temperament.
The motif should be observed more for shape and color than for drawing.
. . . Do not define too closely the outline of things; it is the brush-stroke
of the right value and color which should produce the drawing. Don't
work bit by bit, but paint everything at once by placing tones everywhere.
. . . Don't proceed according to rules and principles, but paint what you
observe and feel.
Camille Pissarro
*************
In 1869 Pissarro moved from Pontoise to Louveciennes, on the outskirts
of Paris. After the outbreak of war in 1870, as the victorious Prussians
advanced, he removed his family from danger, first to Brittany and later
to London. While he was away, the Prussians took over his house and,
rather than splash their uniforms with French country mud, put down
Pissarro's stored paintings as duckboards and tramped over them.
According to Pissarro's own estimate, no more than 40 paintings
survived out of 1,500. In this respect, at least, Pissarro would have
suffered less if his paintings had sold more readily and been dispersed.
As it is, he is known primarily for his work affer 1869. Fortunately he
had not yet reached his most creative period.
The motif should be observed more for shape and color than for drawing.
. . . Do not define too closely the outline of things; it is the brush-stroke
of the right value and color which should produce the drawing. Don't
work bit by bit, but paint everything at once by placing tones everywhere.
. . . Don't proceed according to rules and principles, but paint what you
observe and feel.
Camille Pissarro
*************
In 1869 Pissarro moved from Pontoise to Louveciennes, on the outskirts
of Paris. After the outbreak of war in 1870, as the victorious Prussians
advanced, he removed his family from danger, first to Brittany and later
to London. While he was away, the Prussians took over his house and,
rather than splash their uniforms with French country mud, put down
Pissarro's stored paintings as duckboards and tramped over them.
According to Pissarro's own estimate, no more than 40 paintings
survived out of 1,500. In this respect, at least, Pissarro would have
suffered less if his paintings had sold more readily and been dispersed.
As it is, he is known primarily for his work affer 1869. Fortunately he
had not yet reached his most creative period.
Since my eyesight has diminished further, my twilight
has become more and more lonely and more and more
somber. Only the taste for art and the desire to
succeed keep me going.
Edgar Degas
has become more and more lonely and more and more
somber. Only the taste for art and the desire to
succeed keep me going.
Edgar Degas