Jenifer Gonzalez, Carnaval, Santa Cruz de Tenerife
Juan Medina/Reuters/Yahoo
25.2.06

no title given
Josef Koudelka
transphoto.net (en francais)
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link Grands Maestros de Fotografia
(links need edit in address bar, i.e.:
El Halo
23.2.06
22.2.06

Mollis Minutum (Mouse), 2000
computer mouse, cable, resin, steel
Lucy Puls
Stephen Wirtz Gallery
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also Kathryn Spence and more
21.2.06
Caia Koopman:

Dorothy Stang
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Caia Koopman at La Luz de Jesus Gallery
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Dorothy Stang at Wikipedia
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also valiant and caring Gretchen Ryan at La Luz de Jesus Link fixed
Sévices Compris:
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mp3 au ecrivains.org
"Tous les samedis soir, Marie-Margaux prenait, sans raison particulière, une bonne volée. C’était une coutume conjugale à laquelle son mari n’aurait dérogé pour rien au monde : Alain était en effet de ces hommes qui croient dur comme fer que les petites habitudes cimentent le couple, et il tenait à ce que le sien fût aussi solide que possible."Emmanuelle Urien - Actualité
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mp3 au ecrivains.org
20.2.06
Belief and Nonbelief in Modern American Culture:Evil: The Artist's ResponseJoyce Carol Oates, poet, playwright, essayisttext here
Kathleen Norris, writer, poet, essayist
Nathan Englander, short-story writer
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Medicine and Mystery
Boston College Magazine
W. Eugene Smith Fund:
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Smith at International Photography Hall of Fame & Museum
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Smith at PhotoSeminars.com
W. Eugene Smith's photographs reflect his boyhood in the American heartland and his coming of age in the agony of World War II. His work, imbued with moral fervor, evinces a clear difference between good and evil, the individual's ability to transcend his or her circumstances, the inherent goodness (even heroism) in people, the capacity and willingness of one person to help others (such as the healers in country doctor, nurse-midwife and Albert Schweitzer). In the photo essays which he did after World War II, he demonstrated a belief in the human spirit and the ability of humanity to rise above the immense destruction it had sown. Like the country which he came from and the magazine, LIFE, which hired him, Smith's work was refreshingly direct, sometimes sentimental and often optimistic.Link path from this photograph, part of a photo-essay on Minamata disease that Smith made in the early 70's.
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Smith at International Photography Hall of Fame & Museum
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Smith at PhotoSeminars.com
Used One Speed, PrincetonDaisy Fried
...those middle-aged emotions.
I am still young, I feel I am. If I wanted I could
ride no-hands, my bike so steady, arms out
like that guy in Goya's Third of May...
Poetry Daily