
Tribal
Leon Golub 1922-2004
at Procuniar Workshop
at electronicintifada
interview at Journal of Contemporary Art
at artnet
at flashpoint
w/Nancy Spero at Galerie Christine König at Kunstnet
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link KWSnet
"...as for me, I make no deductions, I infer nothing, I refrain from saying "therefore". Like Sancho Panza, "I come from my own vineyard; I know nothing." Perhaps I may venture to say that I have seen a lousy, lazy tramp drinking from a roadside stream that drips cold & pure from the rock in burning weather. Then the wastrel passes on his ill way, refreshed indeed, but as lousy & lazy as ever..."...The blindfolded approach of the girl in the epiphanic visit to the image in the wood parallels that of the hooded initiate in the Dionysian Mysteries, the mapless alchemical quest, & any number of notions of taboo. Faun-faced, priapic herms existed at every important crossroads in the Graeco-Roman world; Roman brides sometimes deflowered themselves on similar images, but it is unlikely that Machen meant to be as specific as all that. Rather, the concept of sympathia with the Deity is what is meant here...-Arthur Machen Things Near & Far
By “Alchemy” is usually understood the Western Alchemical tradition which may have come from the Arabs of the Middle East and reached its highest development in the famous European Alchemists, but it is very interesting to notice that a parallel alchemical tradition has flourished in China with no perceivable connection to the Western Alchemical tradition, but which has symbols that are strikingly familiar. In The Secret of the Golden Flower, for example, there is described a process of evolution towards perfection featuring a “circulation of the light” that is practically a translation of the Emerald Tablet (from the Emerald Tablet: “It rises from Earth to Heaven, and then it descends again to the Earth, and receives Power from Above and from Below."